Tuesday, 26 June 2012

The written account - Practice

Now that we have your fine compositions completed, we now need to complete the Written Accounts which will accompany your Unit 4 compositions. These are a compulsory part of this task and WILL effect your final mark.

Today we will be covering how to fully complete the written account. Please click on the link below to access the template for practice written account.

Once you have opened the Google Doc you must COPY IT, RENAME IT "Written Account Test 1 - your surname"and then click SHARE (top right). Share with Fisherd and Glovern. Thank you!


Complete each section in order.

You will begin by completing a written account based on the Garageband project which is in your group folder (bottom right of dock), in the public - drop box - Write My Account. Please drag this project on to your desktop and open it from there. Write the account based on this project NOT your own project.

Tuesday, 29 May 2012

Rhythm & Metre - composition


What is this an example of?



Rhythm & Metre - keywords to consider for your composition.


Can you identify any of the rhythmic features below in your composition?
  • pulse
  • tempo
  • simple time - i.e. 4/4
  • compound time - i.e. 6/8 where upper number can be divided by 3.
  • syncopation
  • dotted rhythms
  • triplets
  • drum fills
  • polyrhythm

Monday, 30 April 2012

The Remix Project


This term you will be honing your compositional and arranging skills by completing a remix in Garageband. To begin this process you will today:
  • Choose a song to remix
  • Decide on the NEW style/genre that you will create your remix in. This must not be the same style as the original song i.e. if the song is originally an r'n'b tune you might choose to remix it in a dub step, rock, jazz, reggae of funk style - for example.
  • Research the chords used in the original
  • Start the Garageband project - begin by working on a rhythm track to establish your chosen sense of style. Remember to think about TEMPO (as Garageband will automatically choose 120bpm). You may want to change the tempo from the original recording 
For inspiration you might want to take a listen to any of the Verve Records remix albums, all good stuff, remixes of jazz classics in dance/electronica styes.

Monday, 16 April 2012

Group Performance

Today we are going to take a look at the mark scheme for your Group Performances. Below is the full AQA mark scheme for the group performance:

Mark Scheme for AQA GCSE Group Performance


To get a clearer idea of how this mark scheme is used, we are going to take a look at a couple of different performances and mark theme using this mark scheme. Take a look at this..


Consider this performance and how it relates to:
Accuracy - Communication & Interpretation - Sense of Ensemble 

Thursday, 29 March 2012

Speed Composing Challenge ii


Roll up people, welcome to round two of your speed composing challenge. Following on from last weeks excellent work, today we will be completing another speed composing task, but this time with a tighter time restriction.

The purpose of this work is to help polish up your sequencing skills and speed up workflow, our aim is to enable you to be able to realise your compositional ideas more quickly and therefore have a more flowing compositional experience..

So for todays SPEED COMPOSING CHALLENGE:


RHYTHM TRACK - 5 MINUTES
1. Create a new GB project - call it SPEED COMPOSING TWO
2. First choose a new tempo - NOT 120 BPM (the default GB tempo).
3. You have 5 minutes to create a one bar DRUM KIT RHYTHM GROOVE
4. Copy (not loop) for four bars.
5. In bar 4 create a stylistically appropriate DRUM FILL.
6. Copy this four bar so that you have a total of 8 BARS.


NOW MOVE ON THREE WORKSTATIONS TO THE RIGHT


HARMONY - 10 MINUTES
1. Add a harmony part - this can be any keyboard instrument or guitar. The sequence should last 4 BARS, so this will be a three or four chord sequence. Remember that if you choose a three chord sequence one of the three chords must last for two bars.
2. Create a contrasting chord sequence to fill the next four bars.
3. Add a bassline to accompany both chord sequences.

NOW MOVE ON THREE WORKSTATIONS TO THE RIGHT


MELODY - 10 MINUTES
1. Add a melody to the both chord sequences. You can use any instrument that is stylistically appropriate.


STOP!


NOW HAVE A LISTEN TO ALL YOUR FABULOUS COMPOSITIONS AND EVALUATE YOUR SUCCESS AND AREAS FOR IMPROVEMENT

Monday, 26 March 2012

Brass Instruments



 These are brass instruments. Trumpets, French Horn, Trombone, Tuba (in the middle). Tuba has the lowest pitch. Get used to the sound. Oh, and this is a brass quintet (5 brass instruments). Brass instruments might use a mute to change the sound. Watch this to see how they work, and how the sound (or timbre) is different.